Subject Area Expertise/Special Skills: experience reading cursive writing may be useful Level 4Ĭontent: handwritten materials, primarily in cursive or somewhat difficult to read (predominantly from the 19th and 20th centuries) , audio recordings that are relatively easy to hear/decipher, and scientific materials Subject Area Expertise/Special Skills: none required Level 3 - INTERMEDIATEĬontent: typed and handwritten materials in cursive or printįormat: newspaper clippings, scrapbooks, letters/diaries/notes that may include annotations or margin notes Subject Area Expertise/Special Skills: none required Level 2Ĭontent: mostly typed, handwritten in print, or otherwise very clearly written/readableįormat: memorabilia, advertisements, image captions, telegrams, diaries, letters, notes Ībout Project Difficulty Level 1 - BEGINNERįormat: letters, diaries, flyers, pamphlets, and one-page documents Face-to-Face talk currently located on the National Portrait Gallery's iTunesU page. Image: Self-portrait by Jim Torok / Oil on panel, 2008 / Baron and Budd, P.C. Time spent with his subject is important in these works, which can take up to a year to complete, a duration seemingly out of proportion to their size. "How do you get a picture of a person to look like that person?" He begins each portrait by taking a series of photographs of his subjects, but his paintings are not photographic. As Torok explains, one of the fundamental issues his work addresses is the problem of likeness. Painted with oil on panel, they raise intriguing questions about identity and the impermanence of human life. Although he has worked in several genres, Torok is best known for his small-scale portraits. As part of the National Portrait Gallery's education program "Face-to-Face," Anne Goodyear, curator at NPG, discusses Jim Torok's self-portrait featured in "Portraiture Now: Communities." Jim Torok grew up in Indiana but moved to New York to attend graduate school at Brooklyn College.
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